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I also checked out a new Netflix documentary series called Heist. The P65Q9’s video processing managed to clean up the more challenging material. Even the in-car footage which has occasional breakup stayed solid. The extra contrast makes the picture pop you’ll want to reach out and touch everything you see on the screen. Red Ferraris drip with color that you won’t see on an SDR display. Seasons 2 and 3 are shot in Dolby Vision and look sensational. After signing into my account, I went straight for Formula One Drive to Survive. The quickest way to check out Dolby Vision content is on Netflix. I turned it off for the best possible picture but had to work harder to dial in color and grayscale. When it’s off, a lot more adjustment is needed. When it’s on, you’ll barely need to change anything if you use either the Calibrated or Calibrated Dark modes. The only thing to note is you must decide before calibration whether you want to use the feature. The difference is minuscule though and I couldn’t see any difference in clarity when viewing actual content. The feature works as advertised but there is a slight reduction in horizontal resolution which I was able to confirm using test patterns. This is turned on by default and it makes subtle tweaks to color and gamma in order to improve picture quality from off-center viewing positions. One thing I discovered right away was the Enhanced Viewing Angle option. Though typical VIZIO TVs do not need calibration in their two Calibrated picture modes, I went for it anyway.
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The TV had no trouble with the HDR10, and Dolby Vision formats commonly found in the latest Netflix, Amazon, and Disney+ content. I logged into my accounts from the P65Q9 and was quickly able to access my saved shows. I can get way more TV than I’ll ever be able to watch from Apple TV+, Disney+, Paramount+, Amazon, and Netflix. I cut the cord at the beginning of 2021 and have not looked back. I spent some time exploring the SmartCast interface which is very familiar to me since it’s been a fixture on VIZIO TVs for many years.

For my review, I connected a Panasonic DP-UB9000 Ultra HD Blu-ray player. I have 200mb/s service which is more than enough to stream Ultra HD with surround audio and HDR. You needn’t connect a single wire to the display if your Wi-Fi is quick enough. It is feasible to simply plug the TV into power, run through the brief setup routine, and watch the vast array of content available from SmartCast. If you need to connect a legacy audio system, there are 3.5mm analog and optical digital outputs.Īfter bolting the spindly but solid stand legs in place, I set the P65Q9 up on a bench in my theater. You can hardwire the P65Q9 to your network or use its 802.11ac Wi-Fi. Also on the side panel is USB 2.0 and Ethernet. Two of them support Ultra HD signals at 48Gbps while the other two go to 18Gbps.

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If you install the P65Q9 in a bright room, it has plenty of light output available, over 1200 nits in HDR mode or in the SDR Bright picture preset.įor video input, you get four HDMI 2.1 ports, one of which supports eARC and Dolby TrueHD. Just watch out for specific light sources like table lamps or sunny windows. The front layer is shiny and will pick up some room reflections, but an optical coating prevents them from reducing picture quality. If you prefer to wall-mount, a 400x200mm lug pattern can be found in the back for a bracket. On its included stand legs, it sits just one inch off the furniture. OK, there’s a thin border around the top and sides of 10mm. Physically, the P65 follows today’s trend of panels without borders. That figure is about equal to what I’ve measured from 120Hz Ultra HD computer monitors. That includes the lag produced by the mouse through a gaming PC. There’s also a low-input lag setting which in my tests measured very well at 32ms.

Gamers will enjoy playing the latest titles with the P65Q9’s support for Ultra HD at 120Hz with adaptive sync.
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But tweakers can still delight in the P65Q9’s full color management system and 20-point white balance controls. Every VIZIO I’ve tested is almost spot-on out of the box with little to no need for calibration. This effectively extends the color gamut to cover over 100% of DCI-P3. The dots give off light of their own when excited by the white LEDs behind them. This technology places a layer of chemically deposited dots between the backlight and TFT layers. To extend the color gamut, VIZIO uses a Quantum Dot film.
